Sensate vibrations merge with an Impressionistic tableau- no transposition needed. That’s our pitch for the Chris Dingman solo vibraphone recital at Timucua Arts. Shimmering composition in a sonorous and sympathetic live venue. The solo recital is a current focus for our guest. Continue reading
Scribe/podcaster Kyle Eagle does his hat trick/third Nels Cline interview for today’s Orlando Weekly. Eagle has the requisite brio to suggest a name for this trio with Larry Ochs and Gerald Cleaver. Continue reading
Do a full vehicle wrap with our poster and get a pair of free concert tickets with a reserved table. And an on-mic shout out. Or post this on socials and get a back slap or shoulder squeeze from a cm5 member. For a limited time only; offer not available in Connecticut and California. Continue reading
Nels Cline is best known by his Clark Kent persona as the lead guitarist in Wilco. Cline is listed in Rolling Stone’s 100 Greatest Guitarists as there doesn’t seem to be any boundaries in which to explore and innovate. Post-Coltrane lineage reed player Larry Ochs is cofounder of the 41 year-old ROVA Saxophone Quartet – ground floor influencers in the language of that now-accepted ensemble formation. Detroit native and University Of Michigan faculty member Gerald Cleaver moved to the Lion’s Den of NYC’s jazz scene to carve out a reputation as a first call drummer. The improvisational nature of jazz is the basis of this trio, while not necessarily the nature of their protean sonic offerings. Continue reading
RZZZZZ! New Poster, Date, Venue: Billy Martin Solo Percussion plus Karl Berger And Friends. Download the poster. Continue reading
Medeski, Martin And Wood drummer Billy Martin is the new Executive Director of the Woodstock, N.Y.’s Creative Music Studio, the music education non-profit founded by Karl Berger, Ingrid Sertso and Ornette Coleman in 1971. Karl, Ingrid and Billy come back to Orlando to teach and play during this February visit, joined by longtime Sam Rivers bassist Doug Mathews. Continue reading
Forty plus years after Negativland’s first salvos, Mark Hosler’s solo work still uses the unlike and in the case of his concert at Timucua, it’s disjunct electronic devices roughly creating the signal path of late 1960’s synthesis. Continue reading
